Genres: Comedy Drama France

Bon Voyage

Review by Lee Shoquist
for Reel Movie Critic

H H H ½

 
Cast
Isabelle Adjani Vivianne
Gerard DePardieu Beaufort
Gregori Derangere Frederic
Virginie Ledoyen Camille
Written and Directed by Jean-Paul Rappeneau. A comedy-drama. PG-13 (mild violence, sensuality) Running time: 113 minutes. Sony Pictures Classics.

Breezy Bon Voyage

"Bon Voyage," a new French farce from director Jean Paul Rappeneau, is a glossy, romantic and well-acted film with equal doses of comedy and intrigue, set during the Nazi occupation of France circa 1940—an original subject for a picture this airy and, at times, superficially light. Never mind that when the credits roll, it doesn’t stay with you for more than a minute or two. During its running time, "Bon Voyage" is handsomely mounted, expertly paced and acted with appealing flamboyance.

"Cyrano de Bergerac" and "Horseman on the Roof" director Rappeneau works with a broad canvas of characters to bring us a group of Parisian lovers and acquaintances who flee to Bordeaux on the eve of the Nazi invasion. Included in the group are a brittle movie star (Isabelle Adjani) and her mooning politician partner (Gerard Depardieu), her passionate boyfriend and writer (Gregori Derangere), whom she’s duped into covering up a murder she committed, and a physicist’s assistant (Virginie Ledoyen), for whom the writer develops an instant attraction.

All of them are tied together by their mutual relationships, some covert and some not, and they end up crammed into a refugee hotel with all types and levels of society, wrapped up in a plot about the A-bomb and crises of the heart as well as the political. There’s much scurrying around behind each other’s backs and some so-so intrigue involving the assistant’s involvement with "heavy water," en route to America, and its atomic destiny.

The cast is uniformly good though no one manages a breakout performance. Ageless Adjani doesn’t get much to do with her brittle movie star, but she’s a world-class movie star to be sure and that’s about all that’s necessary here beyond a continued expression of wide-eyed disbelief. Depardieu takes a backseat with a less showy role that only requires him to be smitten through the film’s duration. Ledoyen, the beautiful star of "8 Women" and "The Beach," does what she can to suppress her looks in favor of intelligence, but she’s radiant nonetheless. As the central everyman connected to everyone else, Derangere is by turns dashing and sensitive.

The physical beauty of the production itself eclipses them all. As much fun as it is to watch the actors, the film is eye candy of a high order, courtesy of Thierry Arbogast’s radiant cinematography that perfectly captures the high-gloss lifestyle of pre-war Paris. That the characters don’t really resonate matters little. "Bon Voyage" is a sumptuous visual exercise, expertly paced and performed with style that adds up to little but certainly delivers for two hours while you’re watching.

Lee Shoquist © 2004

lee@reelmoviecritic.com