4 Months, 3 Weeks, and 2 Days.....
Home Page     Genres Europe    

4 Months, 3 weeks, and 2 days    

Review by Shelley Cameron
for Reel Movie Critic

4 Stars  

Cast

Anamaria Marinca: Otilia
Laura Vasiliu: 
Gabita

Directed by Cristian Mungiu
Drama / Women’s issues
Rated R    113 minutes

Set at the height of the restrictive communist rule of Nicolae Ceauşescu, this realistic and painful account of two young female college students seeking an illegal abortion in 1978 Romania is as hard to watch as it is to reckon the uncompromising viewpoint of the filmmaker.  Is it a scornful reprimand about the agonies that must be endured to make a personal choice about pregnancy in a closed society, or a scathing indictment of the sins against women at the hands of dictators and thugs?  Setting the date with such devices as reference to the television miniseries The Thorne Birds, director Mungiu pulls us into that world with suffocating intimacy.  

Those who remember the atmosphere of fear, humiliation, danger and exploitation suffered by women forced to have an unwanted baby or to terminate an unwanted pregnancy with a back alley abortion will find this account of two days in the lives of roommates Gavita and Otilia chilling.  This insightful film might well have the rest of us considering or reconsidering our present position on freedom, especially reproductive freedom.

Like Mike Leigh's Vera Drake, Mungiu’s pinpoint vision brings this issue into clear focus and serves as a warning of what current reactionary trends could lead to if hard won human rights are not protected.

Painfully slow moving and scoreless, its mood captures with devastating accuracy the shameful, secretive and costly pursuit of obtaining an illegal abortion.  No musical score suggests to viewers what they might feel, and none is needed.  The story belongs more to Otilia than to her pregnant roommate, her ordeal all the more harrowing as she arranges to meet a duplicitous stranger with his soothing helper/brutal bully persona, submits to his demands, and all the while carrying on through the weekend as though nothing out of the ordinary is happening.  Mungiu’s camera casts a cold blue gray color tone that chills to the bone. A must see.  

Shelley Cameron © 2008

Shelley@reelmoviecritic.com