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Santa Maradona
** 1/2
Reviewed by Lee Shoquist
Set in Turin, Santa Maradona chronicles the adventures of twenty-seven year old Andrea (the ubiquitous Stefano Accorsi), educated but unemployed, without a girlfriend or real sense of purpose in life. His time is spent on an endless series of fruitless job interviews and socializing with two very close friends: Bart (pitch-perfect Libero De Rienzo), his lazy, loquacious and loyal roommate, and Lucia (Mandala Tayde), an Italo-Indian with an unpredictable love life. When a chance meeting introduces Andrea to the beautiful and elusive actress Dolores (Anita Caprioli), he embarks on a love affair as a turning point to a brighter future.
Though at times it's got charm to burn and its two leading men give performances of substance and integrity, Santa Maradona does not succeed as a compelling film due to a misplaced narrative focus. It's true that the heart of this story and indeed the most compelling moments are shared between Andrea and Bart. They create a portrait of a bonded male friendship that is at once playful and intelligent, juvenile and mature, combative and respectful. When they are on the screen together in their bachelor pad, playing handball, debating women or butting heads over the directions of their lives, their chemistry is electric; funny and with a nice sense of lived-in familiarity.
But the problem with the film is that it hangs its most major dramatic heft - Andrea's inability to get a job and his pursuit of the lovely Dolores - on its most routine and underdeveloped sections. Why Andrea - who seems bright, charming, well-dressed - cannot find employment, is unbelievable as anything more than a screenplay contrivance. And the relationship between Andrea and Dolores is underdeveloped; unexplored. It's all pretty much a surface job, and when Dolores takes some surprising turns of her own that seem provocative, the film doesn't really know what to do with her.
If only the film would have focused on the intensity between Andrea and Bart, and explored the issue of adult male bonding, the push and pull between acting like boys but living as men along with the real-world obstacles that behavior creates, it would have been far more interesting. Still, there are small details that delight - Andrea's obsession with American celebrity gossip and a hilarious deconstruction of Basic Instinct are a couple of the wittier ones.
On a technical level, the cinematography is beautiful - the city of Turin looks radiantly romantic, the pacing is swift and the musical selections are snappy and enjoyable. Director Marco Ponti has certainly achieved a glossy, energetic mis en scene. If only he had a better idea of what to do with his attractive cast, stranded in a half-developed yet good-hearted coming-of-adulthood comedy. Santa Maradona has moments that are fun, and a few of human truth. But in the end, there's not much here to leave you more than mildly amused with a sense there could have been more.
96 Minutes
Not Rated
Profanity
Italian with English Subtitles
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