Star Trek V: The Final Frontier

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Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with <I>Star Trek III</I> and <I>IV</I>, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: <I>Star Trek V</I> is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to <I>Star Trek II</I>'s Nicholas Meyer. <I>--Jeff Shannon</I> <I>--This text refers to the </I><FONT SIZE="3" COLOR="#0000FF" FACE="Arial" ><I><U>VHS Tape</U></I></FONT><I> edition.</I> </div> <div> <B><IMG SRC="1255638c0.jpg" border=0 width="99" height="140" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">DVD Collection <script language="JavaScript"> function popUp(URL,NAME) { amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10'); amznwin.focus();} document.open(); document.write("<a href=javascript:popUp('http://buybox.amazon.com/exec/obidos/redirect?tag=reelmoviecriticc&link_code=xsc&creative=23424&camp=2025&path=/dt/assoc/tg/aa/xml/assoc/-/B00006G8HZ/reelmoviecriticc/ref=ac_bb1_,_amazon')><img src=http://rcm-images.amazon.com/images/G/01/associates/remote-buy-box/buy1.gif border=0 alt='Buy from Amazon.com' ></a>"); document.close(); </script> <noscript> <form method="POST" action="http://buybox.amazon.com/o/dt/assoc/handle-buy-box=B00006G8HZ"> <input type="hidden" name="asin.B00006G8HZ" value="1"> <input type="hidden" name="tag-value" value="reelmoviecriticc"> <input type="hidden" name="tag_value" value="reelmoviecriticc"> <input type="image" name="submit.add-to-cart" value="Buy from Amazon.com" border="0" alt="Buy from Amazon.com" src="http://rcm-images.amazon.com/images/G/01/associates/add-to-cart.gif"> </form> </noscript>  </B></div> <div>  <A NAME="b00006g8hz7480"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="1" ALIGN="bottom" WIDTH="1" HSPACE="0" VSPACE="0" ></A><I><B>Amazon.com</B></I></div> <div> Spanning two decades and countless light years of interstellar adventure, <I>Star Trek: The Motion Pictures Collection</I> is a testament to the enduring goodwill of Gene Roddenberry's optimistic sci-fi concept. Long before <I>Star Wars</I> sparked an explosion of big-screen science fiction, Roddenberry had planned a second <I>Star Trek</I> TV series; the project fizzled, but its pilot script evolved into the first film in Paramount's most lucrative movie franchise. Despite its sluggish pace and bland "pajama" costuming, <I>Star Trek: The Motion Picture</I> (1979) offered a welcomed reunion of the "classic <I>Trek</I>" cast, packed with Douglas Trumbull's still-dazzling special effects. Trekkers were even more ecstatic when <I>The Wrath of Khan</I> (1982) revived the spirit of the original series, even though director Nicholas Meyer was a <I>Trek</I> neophyte. With Leonard Nimoy directing, <I>The Search for Spock</I> (1984) began where <I>Khan</I> left off, with a thrilling (albeit contrived) obligation to resurrect the formerly ill-fated Mr. Spock. </div> <bR> <div> A box-office smash, Nimoy's <I>The Voyage Home</I> (1986) is the franchise's most accessible adventure--a high point offset by William Shatner's comparatively dreadful <I>Star Trek V: The Final Frontier</I> (1989). Meyer (and his penchant for quoting Shakespeare) returned for <I>The Undiscovered Country</I> (1991), a conspiracy thriller that put the series back on track, inspiring fans to invoke the "even number" rule in rating their franchise favorites. <I>Generations</I> (1994) gracefully passed the torch to TV's <I>The Next Generation</I>, bidding farewell to Captain Kirk with honor and integrity intact. Highlighted by the evolving humanity of Brent Spiner's android Lt. Comdr. Data, <I>First Contact</I> (1996) explored <I>Star Trek</I> history with a logical (hint) surprise encounter, and <I>Insurrection</I> (1998) provided an adequate expansion of the successful <I>TNG</I> series. Taken as a whole, these nine films demonstrate the consistent vitality of Roddenberry's original vision, stoking any Trekker's appetite for "ongoing missions" in <I>Nemesis</I> and beyond. <I>--Jeff Shannon</I> </div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="501" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 19 WIDTH="495"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="19" ALIGN="bottom" WIDTH="495" HSPACE="0" VSPACE="0"></tD> </tR> </TABLE></div> <bR> </td> </tr></table></body>