Star Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon
DVD Collection
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Spanning two decades and countless light years of interstellar adventure, Star Trek: The Motion Pictures Collection is a testament to the enduring goodwill of Gene Roddenberry's optimistic sci-fi concept. Long before Star Wars sparked an explosion of big-screen science fiction, Roddenberry had planned a second Star Trek TV series; the project fizzled, but its pilot script evolved into the first film in Paramount's most lucrative movie franchise. Despite its sluggish pace and bland "pajama" costuming, Star Trek: The Motion Picture (1979) offered a welcomed reunion of the "classic Trek" cast, packed with Douglas Trumbull's still-dazzling special effects. Trekkers were even more ecstatic when The Wrath of Khan (1982) revived the spirit of the original series, even though director Nicholas Meyer was a Trek neophyte. With Leonard Nimoy directing, The Search for Spock (1984) began where Khan left off, with a thrilling (albeit contrived) obligation to resurrect the formerly ill-fated Mr. Spock.
A box-office smash, Nimoy's The Voyage Home (1986) is the franchise's most accessible adventure--a high point offset by William Shatner's comparatively dreadful Star Trek V: The Final Frontier (1989). Meyer (and his penchant for quoting Shakespeare) returned for The Undiscovered Country (1991), a conspiracy thriller that put the series back on track, inspiring fans to invoke the "even number" rule in rating their franchise favorites. Generations (1994) gracefully passed the torch to TV's The Next Generation, bidding farewell to Captain Kirk with honor and integrity intact. Highlighted by the evolving humanity of Brent Spiner's android Lt. Comdr. Data, First Contact (1996) explored Star Trek history with a logical (hint) surprise encounter, and Insurrection (1998) provided an adequate expansion of the successful TNG series. Taken as a whole, these nine films demonstrate the consistent vitality of Roddenberry's original vision, stoking any Trekker's appetite for "ongoing missions" in Nemesis and beyond. --Jeff Shannon